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      ATOΠA*

                                                                  by the sculptor Theodoros

  When the space of communication is inundated with audio-visual information, where can any space for sculpture be found ?

  When sculpture is understood as the plastic language which communicates through tactile materials, diachronically, beyond the actuality of the ephemeral image.

  Here is the critical question:

  How can a sculptor in our era break through the screens of the "a-topian image" in order to function in the diachronic "depth of field" of art as communication, which gives content to civilization?

  When Civilization is understood as a field of qualitative co-existence and as a vital element of social life for the natural survival of humankind on earth.

                                          From the materials of nature to the forms of sculpture

 THE RECIPROCAL RELATIONSHIP:

                                          From the forms of art to the materials of sculpture

 

                                                                                                                                     January 1997

 

 

 

*Greek word that means: Out of place, without place

 

 

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